Number 10 from Fila Brazilia, fila boots womens Dicks saturates your palate with everything and anything, sometimes feeling like your eating your dinner and desert all blended up and served as a shake. Loaded up with everything from the psychedelic rock, breaks infused electro and throwing some sampled material for good measure, and don't forget that Banjo ! Once again, Fila Brazillia throw out an eclectic album as ever which has given them their status as some very well respected, cracked up, remix bandits. At least you can find "that" pink CD when your looking for it.The Fila's are some sort of a miracle. It's hard to comprehend where those mega-producers get their ideas from I mean they throw their stuff at the masses as if it's lying in their backyard.
The opening track, "No Shade, No Shadow," has the drifting, sad quality that one fila cage would expect of Harold Budd, and as it loops over the length of the track, the other contributors overlay it with ominous electronics. "Adrift Amidst Les Odalisques" has a much dreamier feel to it, like sunlight dappling through leaves, and the Fila boys lay a gentle groove on fila chunky sneakers top. Bill Nelson's guitar comes to the fore on "The Airless Time," like a howl of pain, with Budd's piano following beside. "Blue Locus," the final track, is almost a reflection of the opening track, but one that opens up into sparkles. Beguiling, and a fascination diversion for the Fila boys.
Considered a pre-cursor to the downbeat and trip hop movement, Fila Brazillia have explored the relationship between organic instrumentation and electronic sensibility throughout the 90's arriving logically at Jump Leads . As pioneers of a post-punk northern England musicality, their journey has been defined simply by fila classic their musical insight rather than genre specification. Dub rhythms, house beats, drum n' bass syncopation, ambient chords, and funk arrangements have all found their way into Fila's sound without falling into the clichéd territory of eclecticism'.
Real people at home have got collections with lots of different things, but DJ culture suggests that everybody should be a specialist. I just find that turgid. I want to be excited and surprised and mystified by a DJ !"Not only do I think that this is Fila Brazillia's best album, it is also one of the best albums that I have ever heard. I don't think there is a bad track on it and it is completely different to anything else you will listen to. It effortlessly blends electronica to other genres like folk, jazz and funk music. Like all of the best albums it takes a few listens to get the most out of it, but it is album that I still listen to regularly even though its a good 5 years old. Highly recommended.
Starting with the confident kick of "The Bugs Will Bite", the album offers example after fila destroyer example of intriguing musical craftsmanship. There's the unassailable mellow funk feel of "Airlock Homes", the ambient expedition that is Spore, some animated optimism on the cheeky "Swann Todd" and straight-up quirk on tracks like "Ridden Pony" and the slamming "Pigsblood and Chalk". Once again, Fila rise to the challenge of making new and original music with a recording packed with so many ideas and influences that it manages to stay fresh and lively from start to finish.The eclecticism and organic warmth of Fila Brazillia's electronica continue to amaze on Power 
Clown , one of their finest efforts to date.
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